Mythology in Art and History:

 

 

We consider Indo-European mythology as unity of Hittite (and others Anatolean mythologies - Luwian, Pali and later - Lydian, Lycian), Aryan (including the Indian mythology, the Iranian mythology, Dard and Nuristan (Cafir), middle East, aryan mythologies), the Armenian mythology, the Greek mythology, Italic mythologies, Celt mythologies, German-Scandinavian mythology, Baltic mythology, Slavic mythology, Tocharic mythologies, and also fragments of mythologies concerning to Albanian, Thracian, Illyrian, Phrygian, Venetian and to some other traditions

1. In all a phenomenological variety of mythological images of pantheons of Barbarous Europe (and is wider - the Indo-European pantheon) it is possible to isolate the invariant base types, making initial structural nucleus, each of which has one of five functions selected by the author. So, legislative function the God of the Clear Sky as he patronises breeding collective and the military right (in Holan's concept he is not present, and on the boiler from Gundestrup to this character corresponded to Teutat). By military - power function it is characterised the God of the Thunder being the spokesman of ideology of aristocracy among which priority interests military activity was took the major place (to the God of the Thunder could correspond air image lords of the Underworld according to Holan and Celt Taranis). The god of Earthly Forces esteemed by priests and farmers, carries out agrarian - magic function (to him there is in agreement with the god of growth and in any measure the god of the earth Holan, and also Celt Cernunnos). The cultural Hero has got cultural-mediator function as he personifies sacred imperial authority, including role of the intermediary between gods and people (the god benefactor according to Holan, Smertrius in Hatt's concept). At last, the multifunctional syncretic female type of the Great Goddess connects a dual Sky-Earthly nature (the goddess of sky Holan).

2. The circuit of mutual relation between these types can be presented as a ring, which is, formed by the man's characters, located beside with each other depending on correlation their functions. So, the God of the Thunder and the God of Sky in a number of traditions tend to merge in a uniform image as both they are connected to heavenly elements. The same tendency is observed and with reference to Earthly gods - to the God of Earth Powers and the Cultural Hero (though last can be the son of the first). Thus, the Cultural Hero as closely connected with the world of people the character, has the related features and good luck the Clear Sky (and in some traditions it is considered his son, between them also frequently arises intermediate type of twins. Only the God of the Thunder and the God of Earth Powers are antagonists (the Cultural Hero suffers from their conflict also). The unique female deity mentally placed in the centre of a ring, plays binding role among man's images. More often she of the spouse of the God of Thunder and the God of Earth Powers, in a number of traditions the goddess consists in marriage relations good luck the Clear Sky. And more and more late female characters of mythologies of Barbarous Europe (and the Indo-European mythologies as a whole) are derivatives from an image of the Great Goddess.

 

 

The mythologies in the pictures:

Scandinavian mythology 1

Scandinavian mythology 2

Scandinavian mythology 3

Celtic mythology 1

Celtic mythology 2

Celtic mythology 3

Arthur's cycle

Slav mythology 1

Slav mythology 2

Slav mythology 3

Slav mythology 4

Slav mythology 5

Slav mythology 6

Slav mythology 7

Slav mythology 8.

Slav mythology 9.

Russian epos 1

Russian epos 2

Russian epos 3

Ugrian mythology

Kalevala

Zoroastrian mythology 1

Zoroastrian mythology 2

Zoroastrian mythology 3

Greek mythology 1

Greek mythology 2

Greek mythology 3

Greek mythology 4

Hittite and Etruskan mythologies.

Indian mythology 1

Indian mythology 2

Indian mythology 3

Indian mythology 4

Chinese mythology 1

Christianity and Mythology.

 

Non-mythological pictures:

Fantastical pictures 1

Fantastical pictures 2

Fantastical pictures 3

Fantastical pictures 4.

Drawings.

Abstract pictures.

Still lives 1

Still lives 2

Flowers.

Portraits.

Landscapes 1

Landscapes 2

Landscapes 3

Temples

 

Realism, abstractionism and art deco in the history, the theory and the practice of the fine art.

Abstractionism: painting and drawing.

Globalization: problems of politics, mythology, art.

My blog.

FANTASY PICTURES.

School pictures dedicated to myths.

ATLAS OF MYTHS.

The Indo-European history:

The Celts history.

The German-Scandinavians history

The Daco-Thracians history.

The Illyrians: history.

The Scytho-Sarmatians history.

The Balts history.

The Slavs history.

The Myths:

The Greek mythology.

 

Myths and the modernity:

Odin and Christ. Images on Sweden runic stones.

Odin and Hermes. Images of an architectural decor of Saint Petersburg and Moscow.

 

Comparative-historical mythology:

The Summary table of the Indo-European gods.

The Basic types of the Indo-European gods.

Indo-European mythologies: genesis and evolution of characters.

 

CULTURE of BARBAROUS EUROPE: TYPOLOGY of MYTHOLOGICAL CHARACTERS (the Text of the thesis):

Introdaction.

Chapter 1. Barbarous Europe and typology problem of mythological characters:

1.1. Barbarous Europe, and its cultural worlds.

1.2. A structural nucleus in mythologies of peoples of Barbarous Europe and social-cultural determinants of the basic mythological types.

1.2. A structural nucleus in mythologies of peoples of Barbarous Europe and socio-cultural determinants of the basic mythological types (ending)

Chapter 2. Mythological characters of West European barbarians:

2.1. Iconography origins of the basic mythological types.

2.2. Mythological characters in Celtic culture.

Images of Celtic deities.

Mythological characters in Irish sagas.

2.2. Mythological characters in Germanic-Scandinavian culture.

Characters of gods in the Scandinavian mythological texts.

Images of gods in the Scandinavian mythological art.

Chapter 3. Mythological characters of East European barbarians:

3.1. Mythological characters in Thraco-Dacian and Illyrian cultures.

3.2. Mythological images in Scythian-Sarmatian culture

3.3. Mythological images in Baltic culture.

3.4. Mythological images in Slavic culture.

The conclusion.

 

The bibliography.

 

Education programs:

The Abstract of thesis1.

The Abstract of thesis2.

Mythologies of peoples of Northern Europe - education program.

Scandinavian mythology.

Celtic mythology

Slav and Balt mythology.

Indo-European pantheon.

Thracian, Dacian, Illyrian, Scythian and Alanian mythologies.

 

 

 

Old mammoth. (Alex. Fantalov, 1997).

 

 

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